|
Posted
on Tuesday, October 30, 2007
By
Matthew Erikson
Star-Telegram Staff Writer
FORT
WORTH Even though the scheduled lead guest star was sidelined
by a leg injury, the Metropolitan Classical Ballet's season-opening
concert Monday evening had a silver lining.
The
Arlington-based company's principal dancer, Olga Pavlova, took the
place of Bolshoi ballerina Marianna Ryzhinka to perform in not one
but two of the ballets on the mixed bill at Bass Hall. Ryzhinka
was missed. But as the title temptress in the Carmen Suite
and the lead in Paul Mejia's Scriabin Sonata, Pavlova demonstrated
once again why she is among the most exciting dancers in the Metroplex.
Much
else in Monday's program followed a familiar formula. Now in its
11th season, the company has been content under the unusual co-artistic
leadership of Alexander Vetrov and Mejia to present Bolshoi-style
ballets alongside Mejia's Balanchine-inspired pieces. In addition,
all three of the works on Monday's program have been seen recently.
Fortunately, Pavlova and the company's young talent prevented much
of the programming from seeming stale.
With
Pavlova, it is her sassy personality, beautiful extensions and magnetic
stage presence that generate heat -- even in Vetrov's too abstract
staging of Carmen, which is based on the original Bolshoi
choreography by Alberto Alonso. Andrey Prikhodko and Yevgeni Anfinogenov
helped complete the story's love triangle with their stirring athleticism.
Pavlova
and Anfinogenov (who happens to be Pavlova's husband) were also
the main attraction in Mejia's Scriabin Sonata, with the two dancing
a dreamy duet at the work's core. A trio of "suitors"
wasn't nearly as well-coordinated.
|